Contragolpe

(…) the ant in blood writing of some philosophical texts from Emile M. Cioran brought more than one spectator into a trance. To get a magnifying glass and try to understand the artist who begging by the in (conscience) of understanding the philosopher are the two tasks, in the same level of interest, for the spectator. Reading the text became a non-operant, utopian and therefore, intelligible undertaking. As a result, the logically apprehensible was the space/void of the drawing.

Contragolpe
Sandra Sosa Fernández
Art critic
News of Cuban Art. Number 3/4th year.